Top 11 Food and Beverage Influencer Marketing Agencies

Last Updated: September 4th · 11 Agencies ranked

Steph Payas
Written by Steph Payas
Chief Marketing Officer
Brian Sorel
Reviewed by Brian Sorel
Chief Operating Officer
About

Food and drink sells on appetite, and appetite travels through a creator's kitchen better than through a press release. The hard part is proving the video moved a product off a shelf, and most agencies never try.

Every agency ranked below is scored out of 100 on four measures: creative quality, client impact, industry recognition, and revenue and growth. Client impact comes from results the agencies publish themselves, and in food and drink those run from SAMY's 85K+ boxes of Krispy Kreme sold in the first month in Spain, to Heineken's 7.3% rise in beer sales in the quarter after an Edelman campaign, to Blue Apron's 2.2K+ new paying customers on NeoReach's own card. The entries say which of those each agency can count, and which it can only reach.

Overview
#AgencySpecialityScoreLocation (HQ)
2 Ogilvy logo Ogilvy New York Brand-scale creative 84 /100 New YorkNY
3 Edelman logo Edelman New York Earned-media campaigns 83 /100 New YorkNY
4 Open Influence logo Open Influence Los Angeles Film and TV launches 69 /100 Los AngelesCA
5 We Are Social logo We Are Social London Socially led creative 66 /100 LondonUnited Kingdom
6 Influencer logo Influencer London Multi-market creator programmes 58 /100 LondonUK
7 SAMY logo SAMY Madrid Social commerce and creative 58 /100 MadridSpain
8 The Goat Agency logo The Goat Agency London Multi-platform activations 58 /100 LondonUnited Kingdom
9 Monks logo Monks London Production-led experiences 55 /100 LondonUK
10 Disrupt Marketing logo Disrupt Marketing London 54 /100 LondonUK
11 Influential logo Influential Las Vegas 53 /100 Las VegasNV
Ogilvy logo

Ogilvy

84 /100
New York, NY Global network agency, WPP

Ogilvy has been in business since 1948 and is the flagship agency of the WPP network, run from New York with offices in every major market.

In food it works at the level of the idea. A brand is given something the culture will talk about, executed at a size that reaches the press as well as the feed, with creators carrying it rather than fronting it. That is a different purchase from a creator programme, and it is bought by brands with a position to take. Ogilvy also publishes the work and not the numbers: most of its food case pages carry an overview and an award list and no result, so this entry is short on figures by the agency's choice.

KFC Australia's degustation dinner drew 20,000+ waitlist applicants for a fine-dining take on fried chicken. Hellmann's Club Classic produced 11.4M views, 16.5M impressions and 60K TikTok engagements. Cadbury's Shah Rukh Khan My Ad let 2,000 local stores put the star in their own advert, for 130K ads created and 94M views. The Moldy Whopper, Dark Iftar and Heinz's Grandma's Darling sit on the record as ideas without a published figure.

Casting is only part of what you are buying here. The idea usually arrives first, and the creator layer carries it.

Best for a food brand buying a creative idea first, with creators where the idea needs them.

Score breakdown
Creative Quality 24/25
Client Impact 24/25
Industry Recognition 16/25
Revenue & Growth 20/25

Services Ogilvy offer

  • Ambassador Program Management
  • B2B Influencer Programs
  • Community Management
  • Compliance & Disclosure Management
  • Content Repurposing & Editing
  • Crisis & Reputation Management
Edelman logo

Edelman

83 /100
New York, NY 6,000-plus people, 28 countries

Edelman has been in business since 1952 and is a global public-relations firm run from New York with offices in every major market.

In food it does earned-media programmes with creators inside them. A campaign starts with a product truth or a stunt, creators carry it, and press picks it up because there is something to report. The numbers come back as brand outcomes and coverage, and occasionally as a sales movement, at a scale that is press reach rather than creator reach, which this card labels. Every one of its food figures verifies on its own site.

Heineken's Worlds Apart film took 50M+ views and a 7.3% increase in UK beer sales in the quarter that followed, across the whole campaign. Hellmann's UK Mayo Hack put five foodie creators behind instruction videos for a nine-point rise in purchase intent, a 46% lift in brand consideration and a 320% engagement increase. Heineken's The Social Swap collected 77M campaign film views and 1.4B+ total impressions, 226M of them paid social, and General Mills' Progresso Soup Drops earned 12.83B media impressions, national television included, on a product that sold out three times.

Expect a research phase before anything goes live, and budget for it.

Best for a food or drink brand whose creator moment has to become a news story as well as a feed.

Score breakdown
Creative Quality 22/25
Client Impact 25/25
Industry Recognition 16/25
Revenue & Growth 20/25

Services Edelman offer

  • Ambassador Program Management
  • B2B Influencer Programs
  • Community Management
  • Competitor Influencer Audits
  • Compliance & Disclosure Management
  • Content Repurposing & Editing
Open Influence logo

Open Influence

69 /100
Los Angeles, CA 51-200 people, entertainment-led

Open Influence was founded in Los Angeles in 2013 and runs creator campaigns for entertainment, consumer and drinks brands from there.

What it sells in food and drink is reach delivered against a guarantee. Each case prints the delivered figure beside the number that was promised, so the over-delivery is checkable, and the engagement rate sits beside a category average. What it does not publish is what anyone bought: across its food cases there is no sale, sign-up or return, and its reach figures track a paid delivery target rather than organic pickup alone.

House of Peroni's Creative Council campaign reached 16.5M people, 30% of a guaranteed reach the page prints, at a 2.79% engagement rate that rises to 5% with video views. Holland Master's winter cheese campaign delivered 2.7M organic reach against a 2.5M guarantee at a 3.04% engagement rate. Asahi Super Dry's Spain launch beat its organic impressions goal by 21% at a 6% engagement rate, and Barilla's Alexa Skill campaign delivered 146 Stories, 2.5x the number agreed.

Expect a report that measures the media plan precisely and the business not at all.

Best for a drinks or grocery brand that wants creator reach delivered against a guarantee and reported that way.

Score breakdown
Creative Quality 17/25
Client Impact 24/25
Industry Recognition 11/25
Revenue & Growth 17/25

Services Open Influence offer

  • Ambassador Program Management
  • B2B Influencer Programs
  • Competitor Influencer Audits
  • Event & Experiential Activations
  • Influencer Campaign Management
  • Influencer Campaign Strategy
We Are Social logo

We Are Social

66 /100
London, United Kingdom 1,300 people in 19 offices

We Are Social has run social-first campaigns from London since 2008, with offices from Los Angeles to Jakarta.

In food it builds the idea first and the creator programme around it, and the idea usually gives people something to do with the product. Its food record is the largest on this page, part of it is not creator work, and those cases are left out here. What remains verifies on its own site to the figure, and it includes two of the few purchase measures on this page.

McCain's Anything Goes put a frozen chip into the culture for a week, for 124M impressions and a 9% increase in purchases among 18 to 34 year olds. Pringles' #PlayWithPringles challenge produced 2M user-made videos and 4.7B views, a hashtag total that counts every video posted under the tag, with a 15% lift in ad recall. Lavazza's Coffee Defenders reached 140M people with a 4.1% rise in purchase intent, Guinness's Six Nations programme drove 480K click-throughs on 320M social impressions, and Lucozade's Ice Kick with Jude Bellingham took 39.3M impressions and 13.6K new followers.

Best for a big food or drink brand that wants one creator idea built to travel across markets.

Score breakdown
Creative Quality 23/25
Client Impact 12/25
Industry Recognition 11/25
Revenue & Growth 20/25

Services We Are Social offer

  • Brand Planning
  • Branded Content
  • Campaign Strategy
  • Competitor Analysis
  • Creative Campaign & Concept Development
  • Cultural Intelligence
Influencer logo

Influencer

58 /100
London, UK Creator-founded, official Twitch marketing partner

Influencer was founded in 2015 and runs creator campaigns from London and New York, with a Riyadh office and a client list across drinks, grocery and consumer brands.

What it sells in food and drink is the multi-market programme, and it counts the markets: creators cast per country, one brief, one report across all of them, with the asset count and the creator count printed beside the reach. Its outcome figures are survey-measured awareness shifts rather than sales, and a pair of its cases report the same engagement total and the same awareness lift, which is worth asking about before either goes on a shortlist.

Coca-Cola's Real Magic at Meal Time activated 33 creators across five markets for 836 assets and 34.5M impressions. Lee Kum Kee's Flavour Favours the Brave produced 13.5M views from 122 pieces of content, with a 23-point rise in product awareness. Costa Coffee's Hot Takes on Hot Shakes drew 3.5M views from 11 creators, and Arto LIFEWTR's launch reached 2M people with 24 creators.

Best for a drinks or grocery brand that needs one creator programme run consistently across several markets.

Score breakdown
Creative Quality 18/25
Client Impact 19/25
Industry Recognition 4/25
Revenue & Growth 17/25

Services Influencer offer

  • Affiliate & Performance-Based Programs
  • Ambassador Program Management
  • B2B Influencer Programs
  • Competitor Influencer Audits
  • Event & Experiential Activations
  • Influencer Campaign Management
SAMY logo

SAMY

58 /100
Madrid, Spain 1001-5000 people across Europe and LATAM

SAMY runs social-first campaigns from Madrid for food, drink and consumer brands across Europe.

What it sells in food is the market entry or the relaunch, with the sales figure on the page. It is one of the few agencies here that publishes units sold, sales lifts and usage changes rather than reach alone, and its cases tend to be integrated programmes with out-of-home, retail and events around the creator layer, so the sales figure belongs to the whole campaign. One of its returns is a percentage with no stated basis, and it is left out here.

Krispy Kreme's entry into Spain sold 85K+ boxes in the first month, with 500+ people queuing on opening day, 10M+ views and 20K+ new followers. Old Jamaica's Farewell campaign lifted Q4 sales by 18% and sent 26K+ clicks to the campaign site, inside a programme that also ran out-of-home, retail and a Notting Hill Carnival takeover. Fazer's social-first rebranding added 5% to sales and 39% to monthly usage with 84% ad awareness, and AutumnCrisp's creator campaign produced 1.2M video views and 50K engagements from 15 assets.

Best for a European food brand entering a market or relaunching a product, with the sales reported.

Score breakdown
Creative Quality 17/25
Client Impact 23/25
Industry Recognition 3/25
Revenue & Growth 15/25

Services SAMY offer

  • Competitor Influencer Audits
  • Custom Technology & Platform Development
  • Influencer Campaign Management
  • Influencer Campaign Strategy
  • Influencer Content Briefing
  • Influencer Discovery & Vetting
The Goat Agency logo

The Goat Agency

58 /100
London, United Kingdom 750 people across 41 markets

The Goat Agency was founded in London in 2015 and runs creator campaigns from London and New York, with a client list across food, drink and consumer brands.

What it sells in food and drink is creators and paid media as one programme, and its cases report the totals with the paid distribution included and a unit cost or a click count beside them. That is closer to a media report than most of this page, and it stops short of a sale: no food case publishes revenue, and its one media value is labelled as such below.

Kraken Rum's Hour of the Kraken drove 300K website clicks and around 1M engagements on 4.6M+ impressions, with 100% positive brand sentiment. Arla's 25 Years of Cravendale delivered 18M impressions, 1.8M video views and 42K link clicks at a 39% view-through rate. Mars Wrigley's Crispy Rolls produced 32M impressions and 12M engagements at £0.02 per engagement, and Minor Figures' Hyper Oat campaign drew 170K clicks, 346% above its KPI, on 17M impressions with £14,000 in earned media value.

Best for a food or drink brand that wants creators and paid media bought as one programme.

Score breakdown
Creative Quality 17/25
Client Impact 23/25
Industry Recognition 3/25
Revenue & Growth 15/25

Services The Goat Agency offer

  • Ambassador Program Management
  • Custom Technology & Platform Development
  • Event & Experiential Activations
  • Influencer Campaign Management
  • Influencer Campaign Strategy
  • Influencer Content Briefing
Monks logo

Monks

55 /100
London, UK Global network, production-led

Monks has been in business since 2001 and runs integrated campaigns for consumer brands, with creators as one line beside film, social and experiential.

In food it sells the whole campaign, and the creator layer is rarely reported on its own. Its strongest food figure is a sales movement on a brand campaign, its largest is earned-media impressions across hundreds of press placements, and its one media value is labelled as such below. What it does not publish is a creator-only result on any food case.

Pony Malta's Energy Kids Insurance campaign produced an 11% sales increase and 700+ claims a day. HelloFresh's #RefreshWithHelloFresh ran 461 influencer posts for 5.5M impressions with a 20% follower mention rate. Heinz's Mustard x Mustard collaboration produced 3M social engagements and a 138% engagement lift, with 324 earned media placements and 1.1B earned media impressions across the whole programme, and Pilsen Beer's Longest Erratum lifted positive image by 51.4% with $1M in earned media reported as a media value.

Best for a food or drink brand that wants creators inside a wider campaign with film and press.

Score breakdown
Creative Quality 21/25
Client Impact 19/25
Industry Recognition 4/25
Revenue & Growth 11/25

Services Monks offer

  • Affiliate & Performance-Based Programs
  • Co-Creation & Product Collaboration
  • Community Management
  • Custom Technology & Platform Development
  • Influencer Campaign Management
  • Influencer Campaign Strategy
Disrupt Marketing logo

Disrupt Marketing

54 /100
London, UK Performance-led, tracked-link reporting

Disrupt Marketing was founded in London in 2010 and runs creator campaigns for consumer, travel and food brands from there.

In food it runs the UK launch or opening, and it prints every figure on the page: impressions, engagements, the rate and the clicks, per campaign. Its food results are engagement and traffic rather than sales, and the campaigns are small, which the pages say. It is one of the cleanest evidence sets on this page and one of the thinnest.

Rosa Blanca's beer launch produced 3.2M impressions, 42K+ engagements and 22K sticker taps at a 27% impression rate. Wasabi's summer lunch campaign with TikTok and Instagram creators delivered 584,533 impressions and 19K engagements at a 4.81% engagement rate. Döner Shack's restaurant opening drew 1.2M impressions, 27K engagements and 1.4K link clicks.

Best for a food or drink brand launching in the UK that wants clicks and engagement reported per campaign.

Score breakdown
Creative Quality 16/25
Client Impact 24/25
Industry Recognition 2/25
Revenue & Growth 12/25

Services Disrupt Marketing offer

  • B2B Influencer Programs
  • Community Management
  • Compliance & Disclosure Management
  • Content Repurposing & Editing
  • Event & Experiential Activations
  • Influencer Campaign Management
Influential logo

Influential

53 /100
Las Vegas, NV 501-1000 people, enterprise and CPG

Influential was founded in 2013, runs from Las Vegas and matches creators to brands on its own platform, with a client list across restaurant chains and consumer brands.

In food it works at the scale of the national chain, with creator casting and paid media named together as the reason for the reach, and it publishes a unit cost against a category benchmark where most agencies publish a view count. Its hashtag totals are printed separately from its campaign figures, and only the campaign figures are quoted here.

McDonald's Menu Hacks drew 2.66B video views, 361M+ likes, 20M+ shares and 12M+ comments, at a cost per restaurant visit between $0.03 and $0.09, against a category benchmark the page states. Denny's Open For Anything beat its ad recall benchmark by 107% with 90% non-negative sentiment, and Reese's Chocolate Lava Big Cup drew 13.4M organic views with 96% positive or neutral sentiment.

Best for a restaurant chain or confectionery brand that needs a creator campaign at national scale.

Score breakdown
Creative Quality 20/25
Client Impact 20/25
Industry Recognition 0/25
Revenue & Growth 13/25

Services Influential offer

  • Custom Technology & Platform Development
  • Influencer Campaign Management
  • Influencer Campaign Strategy
  • Influencer Content Briefing
  • Influencer Discovery & Vetting
  • Influencer Outreach & Negotiation

How to choose a food and beverage influencer marketing agency

Food and drink is the category where creator content looks most like a result and proves least like one. A creator cooks, the video travels, the case study prints a view count, and whether anyone bought the product is answered by the retailer's data six weeks later, if at all. A few agencies on this page publish a sales figure. Most publish reach. If your last creator campaign produced a great video and no movement on the shelf report, the job of a shortlist is to find the agency that measured past the feed. Four questions do most of that work.

Ask for the case with a sale in it

A handful of agencies on this page publish boxes sold, a sales lift over a stated period, or a cost per restaurant visit against a category benchmark. Ask to see that case first, and ask how the sale was attributed: a retailer read, a code, a panel. If the agency's best food result is impressions, ask what it measured for a client in another category, because that tells you what it knows how to count.

Ask what the reach figure counts

Food case studies carry some of the largest numbers on this site, and they count different things. A hashtag total counts every video posted under the tag, for as long as the tag exists. Earned-media impressions count press readership. Paid impressions count a media buy. Ask for the platform figure behind any reach number, and ask what share came from paid amplification behind the creator content.

Ask what the creators were briefed to make

The food campaigns on this page that worked gave people something to do: a hack to try, a recipe to remake, a challenge to join, a queue to stand in. Ask what the brief left to the creator, and ask how many videos the campaign produced beyond the ones the agency paid for. A creator programme that only produced its own posts did not start anything.

Ask about the second season

A food brand's calendar repeats: the January reset, the summer barbecue, the holiday box. Ask for campaigns run for the same client in different seasons, what changed between them, and how many of the same creators came back. An agency with a programme answers with specifics about cadence and casting. An agency that ran a stunt tells you about the stunt.

Deal-breakers

Walk away from an agency that quotes a hashtag total or earned-media impressions as campaign delivery. Walk away from a return on marketing investment whose basis nobody in the room can explain. Walk away from a case study that describes an integrated campaign with television and out-of-home and attributes the sales lift to the creators alone. And walk away from anyone who will not put creator fees, product and sampling, paid amplification and the agency fee on separate lines.

Frequently asked questions

Connect with us

None of the agencies ranked here publish an engagement floor on their own websites. Cost has three parts: the creators, whose fees scale with audience size and usage rights; the agency's fee, usually a retainer or a percentage of spend; and any paid media behind the posts. Food campaigns often add product seeding costs, the boxes shipped to creators, which are small individually and add up at scale. Ask for the lines separately.

It depends on what the campaign has to do. Recipe and cooking creators carry a product into a use case, which suits a launch or a new format. Restaurant and review creators drive visits, which suits a chain or a venue. Lifestyle and family creators reach the weekly shop. Several agencies on this page publish cases of each kind, and the case study tells you which audience the agency actually knows how to reach.

Yes, and some agencies on this page have published the proof: boxes sold in a launch month, a quarterly sales lift, purchases tracked through creator codes and retargeting. What the case studies also show is that the strongest sales numbers usually come from creator content with paid media behind it, or from a creator programme that ran inside a wider campaign. Ask how much of the result the creators can claim on their own.

Both appear across the case studies on this page, often in the same brief. TikTok tends to carry the challenge, the trend and the first taste test. Instagram tends to carry the recipe, the product shot and the click to buy. An agency that publishes results from both, reported separately, is easier to compare than one that publishes a blended total.

As a measure of participation, not of what the agency delivered. A hashtag total counts every video posted under the tag by anyone, including creators the agency never briefed and videos posted after the campaign ended. When a case study prints a hashtag figure, look for the impressions and views the agency's own creators produced. Where an entry on this page cites a hashtag total, it says so.

Earned media value is an agency's estimate of the advertising cost equivalent of the exposure a campaign produced, worked out using its own rate assumptions. It is useful for comparing campaigns inside one agency's reporting. It is not revenue, and a return multiple calculated against it is not a return on spend. Where an entry on this page cites a media value, it says so.

If creators are the campaign, a specialist that sources, seeds and briefs food creators in-house will move faster and know the category's audiences. If creators are one line in a launch that also runs press, events, retail and paid media, a full-service agency keeps one team accountable for the whole result. Both kinds appear on this page, and the case studies say which is which.

Because NeoReach publishes the page, its card is featured above the ranking rather than scored inside it. The ten agencies below it are scored on the same four measures in the same order, from their own published case studies. NeoReach's card is written from its own published food and beverage case studies, which anyone can check at the links on it.

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Ranking methodology explained

Every agency on a NeoReach ranking is scored out of 100. On this list that is four dimensions worth 25 each: three read off public records, one judged against a written rubric. A low score means the public record behind an agency is thin, which is not the same as saying its campaigns are weak. Plenty of good agencies publish very little.

Every agency here is scored out of 100, four dimensions worth 25 each, and no dimension outweighs another.

Client impact, industry recognition, and revenue and growth are read off public records: the brands an agency has published work for, how many of its cases carry a quantitative result, its awards and press, and its team size, tenure and office footprint. Creative quality is the one judgement in the model, made against a written rubric applied to every agency in the same order.

Membership is the food and beverage test: more than one published campaign for a food, drink or restaurant brand that carries a result.

Where two agencies finish level, the higher client impact score goes first, because that dimension is built out of published evidence.

The campaign facts in each entry come from the agency's own case studies, read in September 2026. Where a figure is a hashtag total, an earned-media impression count, a paid-media result or a media value the agency worked out for itself, the entry names it as that.

NeoReach publishes this page. It is featured at the top rather than ranked on it, and carries no score here for that reason.

Why these 4 for this list

A food or drink brand shortlisting for creators is asking four things, and only one is whether the content looks good. Creative quality is whether a creator can make someone want the product before the video ends. Client impact is whether a result was measured and published at all, and in food it separates a box sold or a sales lift from an impressions figure. Industry recognition is the only outside opinion in the model. Revenue and growth is whether the team can still run your programme in the second season, when the launch is over and the shelf still needs defending.

Creative Quality /25
Campaign originality, content innovation and creative execution, read off published case studies, the awards a body of work has taken and the campaign formats an agency actually runs
Client Impact /25
Measurable results delivered to clients: return, engagement, reach, revenue. Counted from the named brands an agency has published work for, how many of its cases carry a quantitative result, and how many client categories that work spans
Industry Recognition /25
Validation from outside the agency: awards weighted by tier, platform partnerships, tier-one press and conference presence
Revenue & Growth /25
Business scale and trajectory: team size band, years in market and office footprint

What is not counted

Anything an agency will only say in a pitch. Unpublished results, client logos with no campaign behind them, and awards entered but not won. Where an agency has nothing a dimension can count, it lands on that dimension's floor, and its entry says so.

The rubric is fixed, not set against whichever agency happens to lead. The same record earns the same points for every agency on the page, NeoReach included.